Abstraction
July 6 - July 29, 2007
Opening Reception Friday, July 6,
5-8 pm
Carolyn
Nelson |
Lauren
Watrous |
Linda
Striedieck |
Marjorie
Sayer |
Scott
Nelson |
Deborah
Kaufman |
WAG
INAUGURATES SIMULTANEOUS GROUP AND FEATURED ARTIST EXHIBITIONS
The Windham Art Gallery is pleased to inaugurate a new
exhibition format: many of the usual group exhibitions
will now be presented simultaneously with the work of one,
featured artist. In July, the back gallery will highlight
an annual and well-received group exhibition of non-representational
art, Abstract, that, this year, will showcase the work
of four of WAG's artist-members: Carolyn Nelson, Scott
Nelson and Linda Striedieck, as well as newest member,
Marjorie Sayer, and guest artist, Deborah Kaufman. The
front gallery will feature work by WAG member and Featured
Artist, Leonard Ragouzeos, who, as a long-time abstract
artist, has been working for five years with representational
subject matter; however, many of these works, much larger
than life-size, and executed in black and white, bring
an abstract language to familiar figures, faces and still
life. Abstract and Leonard Ragouzeos will run July 6-29,
with an opening reception on Friday, July 6 from 5-8 PM.
Of his colorful, surrealistic painting for Abstract, Scott
Nelson has said, "the painting was directly inspired
by the drawing, which is almost 40 years old. However,
in the process of translating to a larger format, in a
different medium, I found many things changing. . . <including> my
visual vocabulary."
"My paintings have always been about exploring relationships," Linda
Striedieck explains. She is most interested in how "a
visual image can grow in an organic way. . .Growth and
change in the natural world, from the smallest element
to the vast universe, for me, follow principals that I
can’t see but that I can feel." Carolyn Nelson,
who has been painting stripes and grids in her most recent
work, explores variations on color and form, the complexity
of the painting's surface and how she can "manipulate
the edges with other color, line or form, a drip here or
there as punctuation." Influenced by the work of color
field painters, she is intrigued by "the world of
the infinite in them. . .<their> soul and mystery."
Newest member, Marjorie Sayer, who has always been interested
in drawing the figure, nonetheless does so in an abstracted
way. Interested in exploring how to portray the figure
in different spatial relationships, she works toward revealing
the figure as it relates to light and dark, and the texture
and depth of space; she aims for a spontaneity in her work
that captures "the essence of the personality." Guest
artist, Deborah Kaufman, who exhibits her work extensively
in the Monadnock Region, says her subject matter is the
interaction of color, shape, texture and line. She builds
up layers of paint to create richness and uses brushstrokes
to give a sense of movement and to soften edges. Kaufman
enjoys, as she says, pushing colors and shapes "against
each other so they create a satisfying tension, a fullness
of energy on the surface of the canvas."
Leonard Ragouzeos, who will be WAG's first Featured Artist,
will exhibit drawings and paintings made with India ink
on an archival paper called Yupo. These large-scale black
and white works are a movement away from Ragouzeos' earlier
and smaller, abstract gouaches. A giant pear, or a large-scale
rendering of a man's face, as in the 50" x 76" Architect--in
which, ironically, the elderly architect holds his hands
up to show a tiny square--transform everyday subject matter
into something indicative of a greater, complex and changing
world. Ragouzeos chose to work large because he was interested
in the thematic and technical challenges this scale would
present, and avoids the use of color because black and
white is "less adorned, and in some ways more truthful." His
depiction of everyday subject matter, like fruit and faces,
represent for Ragouzeos the "suggestions of the cycles
of life: birth, growth, sustenance and death."

Leonard Ragouzeos, The Architect, ink on paper, 76" x
50"

Marjorie Sayer, "Eva Painting," oil, charcoal on paper, 8" x
10"